Jorge Molder’s work can be understood as a “series of series” that views us as a mysterious question. His photographs present a play on meaning that questions conventions, destabilising concepts (of reality and illusion, for instance) and shaking up our internal geography. Apropos of the recent publication of two books on Molder, Claudio Rozzoni looks at his work (the “Molder machine” and its effects) and its lasting artistic and philosophical impact.